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Dissonance in multi-semiotic landscapes in the work of Donna Leishman

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Dissonance in multi-semiotic landscapes in the work of Donna Leishman. / Leishman, Donna.

In: Hyperrhiz: New Media Cultures, Vol. 6, No. Summer Special Issue: Visionary Landscapes, 06.2009.

Research output: Contribution to journalArticle

Harvard

Leishman, D 2009, 'Dissonance in multi-semiotic landscapes in the work of Donna Leishman' Hyperrhiz: New Media Cultures, vol 6, no. Summer Special Issue: Visionary Landscapes.

APA

Leishman, D. (2009). Dissonance in multi-semiotic landscapes in the work of Donna Leishman. Hyperrhiz: New Media Cultures, 6(Summer Special Issue: Visionary Landscapes).

Vancouver

Leishman D. Dissonance in multi-semiotic landscapes in the work of Donna Leishman. Hyperrhiz: New Media Cultures. 2009 Jun;6(Summer Special Issue: Visionary Landscapes).

Author

Leishman, Donna / Dissonance in multi-semiotic landscapes in the work of Donna Leishman.

In: Hyperrhiz: New Media Cultures, Vol. 6, No. Summer Special Issue: Visionary Landscapes, 06.2009.

Research output: Contribution to journalArticle

Bibtex - Download

@article{9aee433a2f82443981c51f109904eab9,
title = "Dissonance in multi-semiotic landscapes in the work of Donna Leishman",
keywords = "Digital Aesthetics, Immersion, Semiotics",
author = "Donna Leishman",
note = "Publisher: Bowling Green State University, Department of English",
year = "2009",
volume = "6",
number = "Summer Special Issue: Visionary Landscapes",
journal = "Hyperrhiz: New Media Cultures",
issn = "1555-9351",

}

RIS (suitable for import to EndNote) - Download

TY - JOUR

T1 - Dissonance in multi-semiotic landscapes in the work of Donna Leishman

A1 - Leishman,Donna

AU - Leishman,Donna

PY - 2009/6

Y1 - 2009/6

N2 - I come to the field of digital literature from the position of a visual artist. My formative training in illustration grounded an interest in sequential art and literary themes. My work draws on literary subject matters, contains chronological cause and effect, and strongly features protagonists. I am a thematic recycler similar to that described by Wozniak (2008) a re-framer of often folkloric motifs - with an aim to renew, revitalises, or debunk, the pre-existing content. Visualality, the auteur interface, and folk narratives are fundamental features in the communication of my aesthetic. How then these aspects function and their importance in terms creating a meta dissonance will be detailed and discussed in the paper with reference to how such an approach sits within the context of interactive literary art.

AB - I come to the field of digital literature from the position of a visual artist. My formative training in illustration grounded an interest in sequential art and literary themes. My work draws on literary subject matters, contains chronological cause and effect, and strongly features protagonists. I am a thematic recycler similar to that described by Wozniak (2008) a re-framer of often folkloric motifs - with an aim to renew, revitalises, or debunk, the pre-existing content. Visualality, the auteur interface, and folk narratives are fundamental features in the communication of my aesthetic. How then these aspects function and their importance in terms creating a meta dissonance will be detailed and discussed in the paper with reference to how such an approach sits within the context of interactive literary art.

KW - Digital Aesthetics

KW - Immersion

KW - Semiotics

UR - http://www.hyperrhiz.net/hyperrhiz06

M1 - Article

JO - Hyperrhiz: New Media Cultures

JF - Hyperrhiz: New Media Cultures

SN - 1555-9351

IS - Summer Special Issue: Visionary Landscapes

VL - 6

ER -

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