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  1. Relics of acceleration: a field guide

    Dunlop, G. 2013 Virilio and visual culture. Armitage, J. & Bishop, R. (eds.). Edinburgh: Edinburgh University Press, p. 207-226 20 p. (Critical connections).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. 'The aerodrome': art, heritage and landscape at former RAF Coltishall

    Schofield, J., Cocroft, W., Boulton, A., Dunlop, G. & Wilson, L. K. Feb-2012 In : Journal of Social Archaeology. 12, 1, p. 120-142, 23 p.

    Research output: Contribution to journalArticle

  3. Introduction

    Cubitt, S. & Partridge, S. 2012 REWIND | : British artists’ video in the 1970s & 1980s. New Barnet, Herts: John Libbey Publishing, p. 3-15 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  4. REWIND | British Artists’ Video in the 1970s & 1980s

    Cubitt, S. (ed.) & Partridge, S. (ed.) 2012 New Barnet, Herts.: John Libbey Publishing. 224 p.

    Research output: Book/ReportBook

  5. The Flash community: implications for post-conceptualism

    Leishman, D. 2012 In : Dichtung-Digital: Journal für Digitale Asthetik. 41

    Research output: Contribution to journalArticle

  6. The many futures of the book

    Notaro, A. 2012 In : Primerjalna Knjizevnost. 35, 1, p. 213-229, 17 p.

    Research output: Contribution to journalArticle

  7. The breath between us

    Spence, P. & Rocha, S. 6-Oct-2011

    Research output: Non-textual formPerformance

  8. Falling up, dancing down

    Spence, P. Jul-2011

    Research output: Non-textual formPerformance

  9. Fluxing reality

    Leishman, D. May-2011 In : Human Factors in Computing Systems.

    Research output: Contribution to journalArticle

  10. A Kick in the Eye: video and expanded cinema in Britain

    Partridge, S. 2011 Expanded cinema: art, performance, film. Rees, A. L., White, D., Ball, S. & Curtis, D. (eds.). London: Tate Publishing, p. 136-147

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. A small survey of early works

    Partridge, S. 2011 Retrospective: Film and video art in Norway, 1960-1990. Kalantary, F. & Lervik, L. (eds.). Oslo: Atopia Stiftelse

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Cabin: codex titles

    Irvine, Z. & Spence, P. 2011

    Research output: Non-textual formArtefact

  13. Communicating movement through drawing for animation

    White, S. 2011 Visual and performing arts. Arbury, S. & Georgoulia, A. (eds.). Athens: ATINER, p. 245-256 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  14. Coppergate viking woman: exhibition at the Jorvik Viking Centre

    Erolin, C. & Aitken, J. 2011

    Research output: Non-textual formExhibition

  15. MoCCA: motion capture cloth analysis

    Rowland, C. & Imrie, P. 2011 SIGGRAPH '11: ACM SIGGRAPH 2011 Posters. New York: Association for Computing Machinery

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  16. To Flummox

    Leishman, D. Jul-2010 In : Ludic Society Magazine. no 6.

    Research output: Contribution to journalArticle

  17. Will internet narrative art ever grow up?

    Leishman, D. 2010 Cross-media communications: an introduction to the art of creating integrated media experiences. Davidson, D. (ed.). Pittsburgh, PA: ETC Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Dissonance in multi-semiotic landscapes in the work of Donna Leishman

    Leishman, D. Jun-2009 In : Hyperrhiz: New Media Cultures. 6, Summer Special Issue: Visionary Landscapes

    Research output: Contribution to journalArticle

  19. Viewpoint: REWIND, artists' video in the first decades

    Partridge, S. 2009 In : Art Libraries Journal. 34, 3, p. 3-4, 2 p.

    Research output: Contribution to journalArticle

  20. The War Office: Everyday Environments and War Logistics

    Dunlop, G. Jul-2008 In : Cultural Politics. 4, 2, p. 155-160, 6 p.

    Research output: Contribution to journalArticle

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