Description
The Slave’s Lament was Scottish poet Robert Burns’s (1759-1796) only work to empathise with the appalling hurt of the displaced, the trafficked and the enslaved. A lyric published in 1792, it is a narrative that remains contemporary as we think of current tragedies unfolding on borders and in hinterland locations. With a moving score written by Sally Beamish, performed by the Scottish Ensemble and reggae singer Ghetto Priest, and produced by On-U-Sound founder Adrian Sherwood, Graham Fagen creates a fascinating sound clash, where Burns's poetry finds a haunting bedfellow in Jamaican reggae music – and finds much common ground.Period | 27 Nov 2021 |
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Documents & Links
Related content
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Press/Media
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Art review: New Arrivals, Scottish National Gallery of Modern Art
Press/Media: Research
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Research Outputs
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The Slave's Lament
Research output: Other contribution › Multi-Component Output (MCO) › peer-review
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The Slave’s Lament: Scottish National Gallery Of Modern Art, Edinburgh
Research output: Non-textual form › Exhibition