Projects per year
Born in Glasgow in 1961, Calum Colvin has exhibited his work nationally and internationally for over thirty years since graduating from the Royal College of Art, London in 1985. He was a winner of one of the first Scottish Arts Council Creative Scotland Awards from which he created the acclaimed exhibition for the SNPG ‘Ossian, Fragments of Ancient Poetry’ in 2001. He was awarded an OBE the same year and is Professor of Fine Art Photography at Duncan of Jordanstone College of Art and Design, University of Dundee.
Colvin’s constructed photographic artworks begin as large-scale studio 'stage-sets', tableaux of everyday objects, furniture and bric-a-brac carefully posed and theatrically lit. Viewed from the fixed-point perspective of a large-format camera, painted trompe-l'oeil elements are introduced, integrating object and subject in a complex mise en scene. These are finally photographed on film, digitized and printed onto paper or canvas. These visual illusions/allegories are intended to draw the viewer into a creative dialogue as the images are interpreted, touching on contemporary concerns relating to society, the environment and aspects of national identity.
His works have been widely exhibited in venues as diverse as Orkney, Los Angeles and Ecuador, and are represented in numerous collections including the Metropolitan Museum of Modern Art, New York; The Museum of Fine Art, Houston; The Tate Gallery, London and the Scottish National Gallery of Modern Art in Edinburgh.
1979-1983: Diploma in Sculpture, Duncan of Jordanstone College of Art, Dundee.
1983-1985: MA in Photography, Royal College of Art, London.
1985-1993: Lived and worked as artist in London.
1993-2001: Lecturer in Fine Art, University of Dundee.
1995-1996: Senior Research Fellow in Digital Imaging, University of Northumbria.
2001- present: Professor of Fine Art Photography, University of Dundee.
2013 – present: Head of Contemporary Art Practice, Duncan of Jordanstone College of Art + Design, University of Dundee.
Selected Solo Exhibitions
1987-1990: ‘Calum Colvin’ Kathleen Ewing Gallery, Washington DC; Sander Gallery, New York; Friedman-Guinness Gallery, Heidelberg; Torch Gallery, Amsterdam; Richard Pomoroy Gallery, London; Seagate Gallery, Dundee; Salama Caro Gallery, London; Galeria 57, Madrid;Glenn/Dash Gallery, Los Angeles; California State University, Long Beach, California; Friedman-Guinness Gallery, Frankfurt; Pier Arts Centre, Stromness, Orkney; Harris Museum and Art Gallery, Preston; Portfolio Gallery, Edinburgh.
1991:’The Two Ways of Life’ Art Institute of Chicago; San Francisco Museum of Modern Art; Nickle Arts Museum, Calgary; Winnipeg Art Gallery; Badischer Kunstverein, Karlsruhe .
1993-2000: ’The Seven Deadly Sins and the Four Last Things’ Portfolio Gallery, Edinburgh; Photographers Gallery, London; Photosynkyria, Thessalonki, Greece;Norwich Arts Centre; BM Contemporary Art Center, Istanbul; Banco Central Art Gallery, Quenca, Ecuador; British Council, Quito, Ecuador; Royal Photographic Society, Bath; Fotomuseum, Stadtmuseum, Munich; Seagate Gallery, Dundee; Photography Centre of Athens; Forum Gallery, Zagreb, Croatia; Varazdin Town Museum, Croatia; BM Contemporary Art Centre, Istanbul; Izfas Art Gallery, Ismir; State Fine Arts Gallery, Ankara; Encontros da Imagem, Braga, Portugal; Kawasaki City Museum, Japan; The Meffan Institute, Angus.
1996- 2000 ‘Pseudologica Fantastica’ Impressions Gallery, York; Focal Point Gallery, Southend -on –Sea; Portfolio Gallery, Edinburgh; Theatr Clwyd, Mold, Wales; Centre Cultural Caixa de Terassa, Barcelona; University of Salamanca; Centro de Arte Contemporaneo, Seville; Viewpoint Gallery, Salford, Manchester; Leeds Metropolitan University Gallery; Piece Hall Gallery, Halifax.
1998-2003:‘Sacred and Profane’ Scottish National Gallery of Modern Art, Edinburgh; National Machado de Castro Museum, Coimbra, Portugal; Martha Schneider Gallery, Chicago; Peacock Printmakers, Aberdeen; Crawford Art Centre, St Andrews.
2002-2008: ‘Ossian, Fragments of Ancient Poetry’ Scottish National Portrait Gallery, Edinburgh; Iona Gallery, Kingussie; Swanson Gallery, Thurso; An Tuireann, Skye; Timespan, Helmsdale; St Fergus Gallery, Wick; Inverness Museum and Art Gallery; Birnam Institute, Dunkeld; Gracefield Arts Centre, Dumfries; Festival de Musique de Beaulieu-sur-Mer, Beaulieu, France; UNESCO, Paris; Inverness County Centre for the Arts, Nova Scotia; University of Guelph, Canada.
2009: ‘Natural Magic’ Royal Scottish Academy, Edinburgh; Inverness Museum and Art Gallery; Swanson Gallery Thurso; St Fergus Gallery, Wick.
2014: ‘The Magic Box’ Edinburgh Printmakers 1/8/14-6/9/14.
2013/15: ‘Burnsiana’ Robert Burns Birthplace Museum, Ayr; Storytelling Centre, Edinburgh: Dick Institute, Kilmarnock.
2016/17: ‘Jacobites by Name’ Scottish National Portrait Gallery, Edinburgh; Scottish Parliament, Edinburgh.
2017: ‘Museography’ McManus Galleries, Dundee.
Victoria and Albert Museum; Metropolitan Museum of Modern Art, New York; Scottish National Portrait Gallery; The British Council; Scottish National Gallery of Modern Art;
Royal Photographic Society; Arnolfini Collection Trust; Museum of Fine Arts, Houston;
Ferens Museum, Hull; Art Institute of Chicago; Tate Gallery; Gallery of Modern Art, Glasgow; Aberdeen Art Gallery; City Art Centre, Edinburgh; Deutsche Bank; The Scottish Parliament.
Master of Arts, Royal College of Art
Award Date: 1 Jan 1985
1 Sep 1979 → 1 Jun 1983
Award Date: 1 Jun 1983
1/03/19 → 28/02/21
Research Output per year
Research output: Non-textual form › Exhibition
Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)
Research output: Non-textual form › Exhibition catalogue
Activities per year
9/12/17 → 11/12/17
2 items of Media coverage
Artist Calum Colvin brings Jacobites into focus at exhibition commemorating Culloden anniversary The National 5/4/16
1 item of Media coverage
The Jacobite art that faces up to the past. The Scotsman 30/11/15. The Scottish National Portrait Gallery has now invited Calum Colvin to contribute a commentary to its Jacobite collection. Artists’ “responses” to historical works are generally lamentable. Not so with Colvin. He works by creating assemblages and then photographing them to make a single image and in his Ossian series, exhibited at the SNPG some years ago, he provided a subtle analysis of Scottish identity and the myths from which it is constructed: voices of the past, distorted as Chinese whispers as they echo faintly down the generations. So the Jacobites are the perfect subject for his art of allusion. Packing past and present in a single image, it illuminates both. Read more at: http://www.scotsman.com/lifestyle/culture/art/the-jacobite-art-that-faces-up-to-the-past-1-3962244
1 item of Media coverage
Deploying collaborative artistic co-creative methods to strategically promote eco-social regeneration for small island communitiesAuthor: Donkers, L., 2020
Student thesis: Doctoral Thesis › Doctor of Philosophy