20152020

Research output per year

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Personal profile

Biography

Born in Hungary, Judit Bodor works internationally as a curator, educator and producer over the last twenty years. She holds a BA in Art History (ELTE, Budapest, 2002), MA in Arts Management (Dartington College of Arts, 2005) and PhD in Curating (Aberystwyth University, Wales, 2017). She has been teaching in UK higher education institutions since 2005 and held curatorial, research and producer positions in artist-led art organisations such as Artpool Art Research Centre (Budapest), East Street Arts (Leeds) and WAVEparticle (Glasgow) since 2000. Her curatorial projects include museum and gallery exhibitions of contemporary artists’ archives, and new commissions of performance and site-specific art. Her specific area of research is the histories and practices of the post 1960s avantgarde and the possible curatorial approaches to these works’ legacy within and beyond collections environment. Her recent projects include No such permanenceonly becoming (Sokołowsko, Poland, 2019), The Happenstance (Palazzo Zenobio, 16th Architectural Biennale Venice, 2017-2018), Left Performance Histories (NGbK, Berlin 2018) and Silent Explosion, Ivor Davies and Destruction in Art (National Museum Wales, Cardiff, 2015-16). She co-founded Gordian Projects (with Emma Bolland and Tom Rodgers) in 2014 focusing on publishing small editions of work that use art and language as a space for exploration, operating at the intersection of artist’s book, art writing, literature, and archive. Her own writings have been published by Palgrave Macmillan, Taylor & Francis, Occasional Papers and Brill’s Studies in Art & Materiality.

Research interests

Post 1960s time-based, socially engaged and networked art practices
Curating ephemeral art and unstable media
Artist archives 
Curatorial practice as research 
Collaborative practices in contemporary art

I welcome PhD students who are interested in:
Live Art
Socially engaged art
Ephemerality and liveness
Performativity and curating
Collaborative practices
Exhibition histories

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Research Output

artpool.hu: a user's guide

Bodor, J. & Hunter, R., 20 Feb 2020.

Research output: Contribution to conferencePaper

  • The ‘Extended Life’ of Performance: Curating 1960s Multimedia Art in the Contemporary Museum

    Bodor, J., 9 May 2019, The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Hölling, H. B., Bewer, F. G. & Ammann, K. (eds.). Brill Academic Publishers, p. 117-141 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  • Left performance histories: Recollecting Artistic Practices in Eastern Europe, Exhibition Catalogue

    Hackel, A. (ed.), Mircev, A. (ed.), Bodor, J. (ed.), Richter, A., Czirak, A., Hock, B. & Rosenfeld, E., 2018

    Research output: Non-textual formExhibition catalogue

  • Left Performance Histories: Exhibition, nGbK, Berlin

    Bodor, J., 2018

    Research output: Non-textual formExhibition

    Open Access
    File
  • Curation, conservation, and the artist in Silent Explosion: Ivor Davies and Destruction in Art

    O'reilly, E., Miller, R. & Bodor, J., 2016, In : Studies in Conservation. 61, sup2, p. 167-173 7 p.

    Research output: Contribution to journalArticle

    Open Access
    File
  • 4 Downloads (Pure)

    Activities

    • 1 Participation in workshop, seminar, course

    Performance as a site of nonconformist social behaviour (part 2)

    Anna Artwinska (Speaker), , Constanze Fritzsch (Speaker), , Bojana Matejic (Speaker), , Judit Bodor (Speaker), & Beata Hock (Host)

    17 Feb 2018

    Activity: Participating in or organising an event typesParticipation in workshop, seminar, course