Photo of Natasha Lushetich

Lushetich, Natasha

Dr, Professor of Contempory Art & Theory

20102020

Research output per year

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Personal profile

Biography

Prof. Natasha Lushetich is an artist and theorist. Both her practice and her theoretical work are interdisciplinary; they unfold in the extended fields of intermedia, performance and interventionism exploring the status of sensory experience in cultural knowledge, biopolitics, hegemony, disorder and their intersections with (continental) philosophy. A founder member of subRosa, she is the recipient of numerous fellowships and residencies such as Fulbright (NYU, New York), Steim (Amsterdam), Noorderzon (Groningen), and ArtsLink (Cleveland & NYC). Her artistic work has been shown in a range of conventional venues - museums, film and performance festivals in Europe, Asia and the US - in less conventional venues - banks and the street - as well as supported by the Art Council of England; The Mondrian Foundation; The VSB Foundation; The Amsterdam Fund for the Arts; and The Dutch Fund for the Performing Arts, among others.

Prof. Lushetich holds a PhD from the University of Exeter and is the author of two books: Fluxus: the Practice of Non-Duality (Rodopi 2014) and Interdisciplinary Performance (Palgrave 2016). She is also co-editor of On Game Structures (Taylor and Francis 2016); editor of The Aesthetics of Necropolitics (Rowman and Littlefield 2018) and editor of Beyond Mind, a special issue of Symbolism, the International Annual of Critical Aesthetics (De Gruyter 2019). Her recent writing has appeared in such cross-disciplinary journals as Artnodes; Contemporary Aesthetics; Environment, Place, Space; Media Theory; Performance Research; Text and Performance Quarterly, TDR, The Journal of Somaesthetics and Total Art Journal and in a number of edited collections. Prof. Lushetich has led two interdisciplinary research projects, the Bridging the Gaps-funded Critical Gaming (2012-13) and the HASS- and Maudsley-funded Spaces of the Mind (2013-2016). She has taught internationally and is the recipient of three teaching awards. She is also a Fellow of the Higher Education Academy and an editorial member of the Anthem Series in Critical Thought and Evental Aesthetics.

 

 

 

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Projects

Research Output

Algorithms and Medial Efficacy

Lushetich, N., 13 Jan 2020, In : The Philosophical Salon.

Research output: Contribution to journalArticle

  • A Santa with a Butt Plug: Paul McCarthy and the Obliterating Violence of Positivity

    Lushetich, N., 19 Feb 2020, In : Body, Space & Technology. 19, 1, p. 203-223 21 p.

    Research output: Contribution to journalArticle

    Open Access
    File
  • 21 Downloads (Pure)

    Beyond Mind: Symbolism 2019

    Lushetich, N. (ed.), 2019, Berlin: Walter de Gruyter GmbH. 334 p. (Symbolism: an International Annual of Critical Aesthetics; no. 19)

    Research output: Book/ReportBook

  • Glitch, Bending, Obfuscation: A Detinerrant Tactic of the Left

    Lushetich, N., 15 Apr 2019.

    Research output: Contribution to conferencePaper

  • Grapefruit: A Sensorial Archive of the Imperceptible

    Lushetich, N., 3 Oct 2019.

    Research output: Contribution to conferencePaper

  • Activities

    Is Big Data a New Medium

    Natasha Lushetich (Organiser), & Wolfgang Muench (Organiser)

    7 May 20188 May 2018

    Activity: Participating in or organising an event typesOther event

    File

    On Ludic Servitude

    Natasha Lushetich (Speaker)

    30 Sep 2018

    Activity: Talk or presentation typesOral presentation

    Creativity in Art, Science and Mind Leverhulme Centre for the Future of Intelligence

    Natasha Lushetich (Participant)

    27 Jul 2018

    Activity: Participating in or organising an event typesParticipation in workshop, seminar, course

    The Fatal Dialectic of Transparency and Suspicion

    Natasha Lushetich (Speaker)

    20 Apr 2018

    Activity: Talk or presentation typesOral presentation

    Is Big Data a New Medium? Conference paper

    Natasha Lushetich (Speaker)

    28 Apr 2018

    Activity: Talk or presentation typesOral presentation