A Kick in the Eye: video and expanded cinema in Britain

Stephen Partridge

A Kick in the Eye: video and expanded cinema in Britain

Stephen Partridge

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

Chapter explores videoart in the context of Expanded Cinema, asking whether it can be considered such with interrogation of seven major works. Concludes that digital convergence, combined with performance and non media specificity of original term probably points towards videoart as a subset of expanded cinema.

Original language	English
Title of host publication	Expanded cinema
Subtitle of host publication	art, performance, film
Editors	A. L. Rees, Duncan White, Steven Ball, David Curtis
Place of Publication	London
Publisher	Tate Publishing
Pages	136-147
Number of pages	12
ISBN (Print)	9781854379740
Publication status	Published - 2011

Keywords

Video art
Expanded cinema

Access to Document

http://library.dundee.ac.uk/F/?func=direct&local_base=DUN01&doc_number=000701617

1 Other contribution

Expanded cinema.
Partridge, S., Apr 2009, Tate Modern/Tate Publishing.
Research output: Other contribution

1 Participation in conference
1 Festival/Exhibition

Expanded Cinema: Postgraduate Study Day
Partridge, S. (Participant)
3 Apr 2013
Activity: Participating in or organising an event types › Participation in conference
Activating the Space of Reception Documentation
Partridge, S. (Speaker)
17 Apr 2009 → 19 Apr 2009
Activity: Participating in or organising an event types › Festival/Exhibition

Cite this

@inbook{e6235796c9c945fbb88bf2c8970a3fd7,

title = "A Kick in the Eye: video and expanded cinema in Britain",

abstract = "Chapter explores videoart in the context of Expanded Cinema, asking whether it can be considered such with interrogation of seven major works. Concludes that digital convergence, combined with performance and non media specificity of original term probably points towards videoart as a subset of expanded cinema.",

keywords = "Video art, Expanded cinema",

author = "Stephen Partridge",

note = "About the host publication: The term 'Expanded Cinema' encompasses film, video, performance and multiple-projection. While video in the gallery has received much attention recently, {"}Expanded Cinema{"} looks at many kinds of experiment beyond the gallery space. Leading scholars from Europe and North America trace expanded and multi-screen cinema from its origins in early abstract cinema and the Bauhaus era to post-war happenings and live events in Europe and the US, the first video and multi-media experiments of the 1960s, the fusion of multi-screen art with sonic art and music from the 1970s onwards, right up to the digital age. The book brings new perspectives to bear on the work of established American pioneers such as Carolee Schneemann and Stan Vanderbeek as well as exploring expanded cinema in Western and Central Europe, the influence of video art on new media technologies, and the role of British expanded cinema from the 1970s to the present day. Uniquely, it situates expanded cinema in the context of the radical arts. It shows how artists challenged the conventions of spectatorship, the viewing space and the audience, to explore a new participatory and performative cinema beyond the single screen. It includes interviews with key artists as well as previously unpublished artists' texts. Well informed and rigorously researched, the book is lively and inclusive in tone and diverse in content. It will appeal to students, artists and lecturers involved in the study and practice of video, film and media art, as well as interested general readers.",

year = "2011",

language = "English",

isbn = "9781854379740",

pages = "136--147",

editor = "Rees, {A. L.} and Duncan White and Steven Ball and David Curtis",

booktitle = "Expanded cinema",

publisher = "Tate Publishing",

}

TY - CHAP

T1 - A Kick in the Eye

T2 - video and expanded cinema in Britain

AU - Partridge, Stephen

N1 - About the host publication: The term 'Expanded Cinema' encompasses film, video, performance and multiple-projection. While video in the gallery has received much attention recently, "Expanded Cinema" looks at many kinds of experiment beyond the gallery space. Leading scholars from Europe and North America trace expanded and multi-screen cinema from its origins in early abstract cinema and the Bauhaus era to post-war happenings and live events in Europe and the US, the first video and multi-media experiments of the 1960s, the fusion of multi-screen art with sonic art and music from the 1970s onwards, right up to the digital age. The book brings new perspectives to bear on the work of established American pioneers such as Carolee Schneemann and Stan Vanderbeek as well as exploring expanded cinema in Western and Central Europe, the influence of video art on new media technologies, and the role of British expanded cinema from the 1970s to the present day. Uniquely, it situates expanded cinema in the context of the radical arts. It shows how artists challenged the conventions of spectatorship, the viewing space and the audience, to explore a new participatory and performative cinema beyond the single screen. It includes interviews with key artists as well as previously unpublished artists' texts. Well informed and rigorously researched, the book is lively and inclusive in tone and diverse in content. It will appeal to students, artists and lecturers involved in the study and practice of video, film and media art, as well as interested general readers.

PY - 2011

Y1 - 2011

N2 - Chapter explores videoart in the context of Expanded Cinema, asking whether it can be considered such with interrogation of seven major works. Concludes that digital convergence, combined with performance and non media specificity of original term probably points towards videoart as a subset of expanded cinema.

AB - Chapter explores videoart in the context of Expanded Cinema, asking whether it can be considered such with interrogation of seven major works. Concludes that digital convergence, combined with performance and non media specificity of original term probably points towards videoart as a subset of expanded cinema.

KW - Video art

KW - Expanded cinema

M3 - Chapter

SN - 9781854379740

SP - 136

EP - 147

BT - Expanded cinema

A2 - Rees, A. L.

A2 - White, Duncan

A2 - Ball, Steven

A2 - Curtis, David

PB - Tate Publishing

CY - London

ER -

A Kick in the Eye: video and expanded cinema in Britain

Abstract

Keywords

Access to Document

Fingerprint

Research output

Expanded cinema.

Activities

Expanded Cinema: Postgraduate Study Day

Activating the Space of Reception Documentation

Cite this