Abstract
Laura Samani's film _Piccolo corpo_ exemplifies queer martyrdom in the old sense, 'witnessing', by having a trans man character carry another person's dead child to a shrine for a miraculous revival. It uses magical realism to queer both its own plot, and gender narratives of its time (set in 1900) and ours.
| Original language | English |
|---|---|
| Type | entry and annotation in a collaborative project site |
| Media of output | web project |
| Publisher | Université de Paris |
| Number of pages | 1 |
| Publication status | Published - Sept 2023 |