Abstract
In the opening chapter of his book The Open, Giorgio Agamben describes a thirteenth century miniature depicting the messianic banquet where the members of humanity who remain are illustrated with animal heads. Agamben reads the image to suggest that on the last days of the world, human and animal natures will be transformed, in the sense that humans will become (like) animals, reconciled with their animal natures so to speak.
| Original language | English |
|---|---|
| Title of host publication | Being Human |
| Subtitle of host publication | Between Animals and Technology |
| Editors | Ron Broglio, Frederick Young |
| Place of Publication | London |
| Publisher | Taylor & Francis |
| Chapter | 4 |
| Pages | 42-61 |
| Number of pages | 20 |
| Edition | 1st |
| ISBN (Electronic) | 9781317610311 |
| ISBN (Print) | 9781138807860 |
| Publication status | Published - 23 Mar 2015 |
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Two painted flies: Improvised arts of perception in Uexküll’s Picture Book of Invisible Worlds
Sellbach, U., 30 Dec 2021, Distributed Perception: Resonances and Axiologies. Lushetich, N. & Campbell, I. (eds.). 1st ed. London: Routledge, 12 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
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A Picture Book of Invisible Worlds: semblances of insects and humans in jakob von uexküll's laboratory
Loo, S. & Sellbach, U., Mar 2013, In: Angelaki: Journal of the Theoretical Humanities (Angelaki). 18, 1, p. 45-64 20 p.Research output: Contribution to journal › Article › peer-review
11 Link opens in a new tab Citations (Scopus)
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