Abstract
This text was the main outcome of a research project, ‘Issues and Questions of Archiving Contemporary Art. Contemporary Art Archives’ undertaken during a 2004 Raiffeisen Bank Research Fellowship at Artpool Art Research Center, Budapest. The Fellowship built on prior research into archiving contemporary art, which had been distributed through multimedia presentations in Europe (Galerija SKUC, Ljubljana; Austrian Cultural Forum, London etc). The original - Hungarian - version of the text was published in ‘Balkon Journal of Contemporary Art’ (2004: no 7, pp. 34-40.) – Hungary’s main contemporary art journal. This was subsequently reworked and translated for permanent archiving on Artpool’s bi-lingual website. The research presented in the article led to an invitation in November 2006 to curate Artpool’s contribution to “‘I Confess That I Was There”: Art, Archives and Locations’ an international project organised by INTERFACE: Research in Art, Technologies and Design, University of Ulster. (This included an exhibition and screening from Artpool’s archive and a paper for the project’s international symposium, ‘Investigating Archives’).
Translated title of the contribution | Archives in Motion: Approaches, Perspectives, Interlinking |
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Original language | Hungarian |
Pages (from-to) | 34-40 |
Number of pages | 7 |
Journal | Balkon |
Issue number | 7 |
Publication status | Published - 2004 |