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Autoritratti at The Showroom, London

    Research output: Non-textual formExhibition

    Abstract

    Autoritratti is a performative screening. It employs different methodological tools, including dialogue, autobiography, cross-genre and fragmented narratives. The approach is inspired by Italian feminist thinker Carla Lonzi and her book Autoritratto [Self-portrait] (1969), which was her farewell to the art world.
    Curated by Laura Leuzzi and Giulia Casalini. With the participation of artists Cinzia Cremona, Catherine Elwes, Tina Keane, Maria Teresa Sartori and Elaine Shemilt. Readings by Diana Georgiou.

    Ketty La Rocca, Appendice per una supplica, 1972; Anna Valeria Borsari, Autoritratto in una stanza, documentario [Selfportrait in a Room, Documentary], 1977; Catherine Elwes, Postcard, 1986; Elisabetta di Sopra, Dust Grains, 2014; Elaine Shemilt, Doppelgänger, 1979-81; Maria Teresa Sartori, The Drawers, 2013; Federica Marangoni, The Box of Life, 1979; Tina Keane, Clapping Songs, 1979; Cinzia Cremona, Before You Now, 2013.

    In collaboration with the AHRC funded project ‘EWVA European Women’s Video Art in the 70s and 80s’ (DJCAD, University of Dundee).
    Original languageEnglish
    Place of PublicationLondon
    PublisherThe Showroom
    Publication statusPublished - 11 Dec 2015

    UN SDGs

    This output contributes to the following UN Sustainable Development Goals (SDGs)

    1. SDG 5 - Gender Equality
      SDG 5 Gender Equality

    Keywords

    • Video art
    • Feminism
    • performance

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