Abstract
Exhibition Venues: University of the West of England, Bristol
Exhibition Dates: 21st - 25th September 2022
State of Print Exhibition at the Old Fire Station, Bristol as Part of Impact 12: The Printmaker's Voice International Conference Bristol, University of the West of England.
Video artworks. ‘SOP Gardens’, ‘Big Printer'
Conceptual cinema as part of the ‘State of Print’. Spoof adverts made from found footage and remixed into video collages with Big Brother style interludes promoting 'state' ideals.
Audio/Music/Poetry Performance.
Contribution to outdoor performance procession through Bristol City Centre.
State of Print:
The STATE OF PRINT explores the current state of nations and the notion that everything that formalises a nation state is printed – money, maps, laws, information, governments, monarchies etc. At a time when ‘the current state’ of nation power globally is inflexible and dogmatic, this project will provide a creative and theoretical antidote to the current paradigm. The STATE OF PRINT can be manifest in response to any space at any time as both a sculptural form and as a platform for activity – in the form of image production, poetry, debate, performance, music and film.
Exhibition Dates: 21st - 25th September 2022
State of Print Exhibition at the Old Fire Station, Bristol as Part of Impact 12: The Printmaker's Voice International Conference Bristol, University of the West of England.
Video artworks. ‘SOP Gardens’, ‘Big Printer'
Conceptual cinema as part of the ‘State of Print’. Spoof adverts made from found footage and remixed into video collages with Big Brother style interludes promoting 'state' ideals.
Audio/Music/Poetry Performance.
Contribution to outdoor performance procession through Bristol City Centre.
State of Print:
The STATE OF PRINT explores the current state of nations and the notion that everything that formalises a nation state is printed – money, maps, laws, information, governments, monarchies etc. At a time when ‘the current state’ of nation power globally is inflexible and dogmatic, this project will provide a creative and theoretical antidote to the current paradigm. The STATE OF PRINT can be manifest in response to any space at any time as both a sculptural form and as a platform for activity – in the form of image production, poetry, debate, performance, music and film.
| Original language | English |
|---|---|
| Publisher | University of the West of England, Bristol |
| Publication status | Published - 21 Sept 2022 |
| Event | Impact 12: International Printmaking Conference: The Printmakers' Voice - Centre for Print Research, University of the West of England, Bristol, United Kingdom Duration: 21 Sept 2022 → 25 Sept 2022 |