Emoto: visualising the online response to London 2012

Drew Hemment, Moritz Haneklaus, Stephan Thiel

    Research output: Contribution to conferencePaperpeer-review

    Abstract

    In recent years we have moved from data scarcity to data abundance. As a response, a variety of methods have been adopted in art, design, business, science and government to understand and communicate meaning in data through visual form. emoto (emoto2012.org) is one such project, it visualised the online audience response to a major global event, the London 2012 Olympic and Paralympic Games. emoto set out to both give expression to and augment online social phenomena, that are emergent and only recently made possible by access to huge real-time data streams. This report charts the development and release of the project, and positions it in relation to current debates on data and visualisation, for example, around the bias and accessibility of the data, and how knowledge practices are changing in an era of so-called 'big data.'
    Original languageEnglish
    Publication statusPublished - 2013
    Event19th International Symposium on Electronic Art - Sydney, Australia
    Duration: 7 Jun 201316 Jun 2013
    http://www.isea2013.org/

    Conference

    Conference19th International Symposium on Electronic Art
    Abbreviated titleISEA2013
    CountryAustralia
    CitySydney
    Period7/06/1316/06/13
    Internet address

    Keywords

    • Data
    • Social Data
    • Data Visualisation
    • Data Art
    • London 2012
    • Olympics
    • Twitter

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