History of the Present: Mazetti Screening Room, Malmo, Sweden

Maria Fusco; Margaret  Salmon; Annea Lockwood; Héloïse  Werner

History of the Present: Mazetti Screening Room, Malmo, Sweden

Maria Fusco (Director), Margaret Salmon (Director), Annea Lockwood (Composer), Héloïse Werner (Performer)

Research output: Non-textual form › Exhibition

Abstract

Exhibition dates :29 April 2024
Exhibition venue: Mazetti Screening Room, Malmo, Sweden

Film screening with introduction by Maria, followed by Q/A.

History of the Present is an experimental opera-film made collaboratively by Maria Fusco and Margaret Salmon, featuring new compositions by Annea Lockwood, libretto by Maria and improvisational vocal work by Héloïse Werner.

This intersectional, intergenerational feminist work forefronts working-class women’s voices to ask: who has the right to speak, and in what way? Layering sociological, cultural, and political themes from the recent history of Northern Ireland, the work exercises voice, breath and field-recording composition through a range of film techniques and operatic articulations, to amplify marginalised stories.

Made on 35mm History of the Present observes how defensive architecture defines movement to enforce intersectional histories and identities within daily experiences in conflict and post-conflict zones on an international level.

Original language	English
Place of Publication	Malmo, Sweden
Publisher	Mazetti lecture room
Media of output	Film
Publication status	Published - 29 Apr 2024

Cite this

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abstract = "Exhibition dates :29 April 2024Exhibition venue: Mazetti Screening Room, Malmo, Sweden Film screening with introduction by Maria, followed by Q/A.History of the Present is an experimental opera-film made collaboratively by Maria Fusco and Margaret Salmon, featuring new compositions by Annea Lockwood, libretto by Maria and improvisational vocal work by H{\'e}lo{\"i}se Werner. This intersectional, intergenerational feminist work forefronts working-class women{\textquoteright}s voices to ask: who has the right to speak, and in what way? Layering sociological, cultural, and political themes from the recent history of Northern Ireland, the work exercises voice, breath and field-recording composition through a range of film techniques and operatic articulations, to amplify marginalised stories. Made on 35mm History of the Present observes how defensive architecture defines movement to enforce intersectional histories and identities within daily experiences in conflict and post-conflict zones on an international level.",

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N2 - Exhibition dates :29 April 2024Exhibition venue: Mazetti Screening Room, Malmo, Sweden Film screening with introduction by Maria, followed by Q/A.History of the Present is an experimental opera-film made collaboratively by Maria Fusco and Margaret Salmon, featuring new compositions by Annea Lockwood, libretto by Maria and improvisational vocal work by Héloïse Werner. This intersectional, intergenerational feminist work forefronts working-class women’s voices to ask: who has the right to speak, and in what way? Layering sociological, cultural, and political themes from the recent history of Northern Ireland, the work exercises voice, breath and field-recording composition through a range of film techniques and operatic articulations, to amplify marginalised stories. Made on 35mm History of the Present observes how defensive architecture defines movement to enforce intersectional histories and identities within daily experiences in conflict and post-conflict zones on an international level.

AB - Exhibition dates :29 April 2024Exhibition venue: Mazetti Screening Room, Malmo, Sweden Film screening with introduction by Maria, followed by Q/A.History of the Present is an experimental opera-film made collaboratively by Maria Fusco and Margaret Salmon, featuring new compositions by Annea Lockwood, libretto by Maria and improvisational vocal work by Héloïse Werner. This intersectional, intergenerational feminist work forefronts working-class women’s voices to ask: who has the right to speak, and in what way? Layering sociological, cultural, and political themes from the recent history of Northern Ireland, the work exercises voice, breath and field-recording composition through a range of film techniques and operatic articulations, to amplify marginalised stories. Made on 35mm History of the Present observes how defensive architecture defines movement to enforce intersectional histories and identities within daily experiences in conflict and post-conflict zones on an international level.

UR - https://www.arts.lu.se/calendar/history-present-screening-and-qa

M3 - Exhibition

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History of the Present: Mazetti Screening Room, Malmo, Sweden

Abstract

Other files and links

Fingerprint

History of the Present: Performance Screening, Edinburgh Art Festival

History of the Present

History of the Present: Screening and Panel Discussion, Belfast International Arts Festival

Cite this