Abstract
Through a series of 'rents', this article reads the interplay between Shakespeare's Othello and various senses of rendition. The strange relations of theatricality, desire, violence and the unknown that the play stages are read in the light of Jacques Derrida's thinking on strangers, inhabitation, pity and blindness. In offering a rendition of Othello, much hinges on the politics of the word 'in'.
| Original language | English |
|---|---|
| Pages (from-to) | 89-108 |
| Number of pages | 20 |
| Journal | Oxford Literary Review |
| Volume | 34 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - Jul 2012 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
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