TY - JOUR
T1 - Interventions, Productions and Collaborations
T2 - the relationship between RAI and visual artists
AU - Leuzzi, Laura
PY - 2015/3
Y1 - 2015/3
N2 - On the 17th May 1952, before RAI Radiotelevisione Italiana Studios began their regular broadcast from Milan, the Spatialist painter and sculptor Lucio Fontana broadcast his own experimental ‘artwork’ on Italian television, beginning a fruitful relationship between RAI and visual artists. For some, it provided careers as designers and art directors, such as the painter Mario Sasso and the Arte Povera artist Pino Pascali, while for others, who were given unique access to RAI’s television apparatus, it was an opportunity to explore their own artistic experimentations with an expensive and exclusive medium, such as Carlo Quartucci and Gianni Toti. RAI also hosted seminal artists’ performances on screen including John Cage and Fabio Mauri. This article, based on documents and interviews collected during the Arts and Humanities Research Council funded project REWINDItalia, discusses these and other seminal cases as well as tracing and assessing the history of this fruitful and complex exchange between RAI and visual artists.
AB - On the 17th May 1952, before RAI Radiotelevisione Italiana Studios began their regular broadcast from Milan, the Spatialist painter and sculptor Lucio Fontana broadcast his own experimental ‘artwork’ on Italian television, beginning a fruitful relationship between RAI and visual artists. For some, it provided careers as designers and art directors, such as the painter Mario Sasso and the Arte Povera artist Pino Pascali, while for others, who were given unique access to RAI’s television apparatus, it was an opportunity to explore their own artistic experimentations with an expensive and exclusive medium, such as Carlo Quartucci and Gianni Toti. RAI also hosted seminal artists’ performances on screen including John Cage and Fabio Mauri. This article, based on documents and interviews collected during the Arts and Humanities Research Council funded project REWINDItalia, discusses these and other seminal cases as well as tracing and assessing the history of this fruitful and complex exchange between RAI and visual artists.
KW - RAI
KW - Relationship between Visual Artists and Television
KW - Television art
KW - Video
KW - Performance art
KW - television
KW - TV Interventions
U2 - 10.1386/jicms.3.1-2.155_1
DO - 10.1386/jicms.3.1-2.155_1
M3 - Article
SN - 2047-7368
VL - 3
SP - 155
EP - 170
JO - Journal of Italian Cinema and Media Studies
JF - Journal of Italian Cinema and Media Studies
IS - 1-2
ER -