Abstract
The writer muses on a past life in which piobaireachd – the most serious and complicated form of highland bagpipe music – played an important role in educating her literary sensibility. She now wonders if it is for this reason – the echo of the pipes' sound and scale still playing in her imagination – that she finds it hard to hear the music in Burns’s poetry. She poses the question: Can a poet be said to be speaking for a nation when aspects of that nation are absent from his scale and sensibility?
Original language | English |
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Pages (from-to) | 225-233 |
Number of pages | 9 |
Journal | Burns Chronicle |
Volume | 133 |
Issue number | 2 |
DOIs | |
Publication status | Published - Sept 2024 |
Keywords
- piobaireachd
- ceol mor
- Highland
- pipes
- soundscape
- music
- literature