‘Of Rabbits and Pirates: After-Images of E. Philips Fox’s ‘Landing of Captain Cook at Botany Bay, 1770’

Research output: Contribution to journalArticlepeer-review

1 Citation (Scopus)

Abstract

This paper explores the role of fantasy in E. Phillips Fox’s historical painting, ‘Landing of Captain Cook at Botany Bay 1770’ (1902) through two contemporary adaptations of the work in The Rabbits (1998) by John Marsden and Shaun Tan, and Daniel Boyd’s painting, ‘We Call Them Pirates Out Here’ (2006). Although markedly different in terms of their material production and aesthetic approach, the adaptations of ‘Landing of Captain Cook’ recapitulate its colonial fantasy by displacing the hyper-real contents of the original with surrealistic and pop elements, respectively. I suggest that as ‘after-images’, these adaptations usefully complicate the signification of ‘Cook’ and in so doing, engage with dialogues about how ‘Australia’ is constituted, and how it might be imagined. In this sense, the adaptations consciously draw out the fantasy of ‘Australia’ in the original through their later aesthetic permutations.
Original languageEnglish
Pages (from-to)35-45
Number of pages11
JournalAdaptation
Volume9
Issue number1
Early online date4 Mar 2015
DOIs
Publication statusPublished - 1 Mar 2016

Fingerprint Dive into the research topics of '‘Of Rabbits and Pirates: After-Images of E. Philips Fox’s ‘Landing of Captain Cook at Botany Bay, 1770’'. Together they form a unique fingerprint.

Cite this