On Comics and Legal Aesthetics: Multimodality and the Haunted Mask of Knowing

Research output: Book/ReportBook

18 Citations (Scopus)


What are the implications of comics for law? Tackling this question, On Comics and Legal Aesthetics explores the epistemological dimensions of comics and the way this once-maligned medium can help think about—and reshape—the form of law. Traversing comics, critical, and cultural legal studies, it seeks to enrich the theorisation of comics with a critical aesthetics that expands its value and significance for law, as well as knowledge more generally. It argues that comics’ multimodality—their hybrid structure, which represents a meeting point of text, image, reason, and aesthetics—opens understanding of the limits of law’s rational texts by shifting between multiple frames and modes of presentation. Comics thereby exposes the way all forms of knowledge are shaped out of an unstructured universe, becoming a mask over this chaotic ‘beyond’. This mask of knowing remains haunted—by that which it can never fully capture or represent. Comics thus models knowledge as an infinity of nested frames haunted by the chaos without structure. In such a model, the multiple aspects of law become one region of a vast and bottomless cascade of perspectives—an infinite multiframe that extends far beyond the traditional confines of the comics page, rendering law boundless.
Original languageEnglish
Place of PublicationOxford
Number of pages230
ISBN (Electronic)9781315310138
ISBN (Print)9781138224032
Publication statusPublished - 1 Jan 2018

Publication series

NameDiscourses of Law

ASJC Scopus subject areas

  • Visual Arts and Performing Arts
  • Language and Linguistics
  • Literature and Literary Theory
  • Philosophy
  • Cultural Studies
  • Law


Dive into the research topics of 'On Comics and Legal Aesthetics: Multimodality and the Haunted Mask of Knowing'. Together they form a unique fingerprint.

Cite this