Perceiving rhythm where none exists: is subjective accenting of isochronous tone sequences a consequence of implicitly driven modulations of early auditory processes?

D. D. Potter, M. Fenwick, R. Brochard, D. Abecasis

    Research output: Contribution to conferenceAbstract

    Original languageEnglish
    Publication statusPublished - 2004
    Event32nd Annual Scientific Meeting of the British Psychophysiology Society - Manchester, United Kingdom
    Duration: 13 Sep 200415 Sep 2004

    Conference

    Conference32nd Annual Scientific Meeting of the British Psychophysiology Society
    CountryUnited Kingdom
    CityManchester
    Period13/09/0415/09/04

    Research Output

    • 1 Meeting abstract

    Activities

    • 2 Participation in conference

    32nd Annual Scientific Meeting of the British Psychophysiology Society

    Douglas David Potter (Participant)

    13 Sep 200415 Sep 2004

    Activity: Participating in or organising an event typesParticipation in conference

    32nd Annual Scientific Meeting of the British Psychophysiology Society

    Maggi Fenwick (Participant)

    13 Sep 200415 Sep 2004

    Activity: Participating in or organising an event typesParticipation in conference

    Cite this

    Potter, D. D., Fenwick, M., Brochard, R., & Abecasis, D. (2004). Perceiving rhythm where none exists: is subjective accenting of isochronous tone sequences a consequence of implicitly driven modulations of early auditory processes?. Abstract from 32nd Annual Scientific Meeting of the British Psychophysiology Society, Manchester, United Kingdom. http://www.bacn.co.uk/conferences.html