Abstract
Edited by Laura Leuzzi and Stephen Partridge, REWINDItalia Early Video Art in Italy aims to bring the Italian, seminal, early video experimentation back into the international spotlight and provide a a unique resource for research and study.
The volume includes seminal essays, translated for the first time into English, plus newly commissioned texts by leading scholars and artists, and a wide selection of video stills and other images.
Authors include: Renato Barilli, Maria Gloria Bicocchi, Lola Bonora, Silvia Bordini, Paolo Cardazzo, Cinzia Cremona, Sean Cubitt, Bruno Di Marino, Simonetta Fadda, Vittorio Fagone, Marco Maria Gazzano, Luciano Giaccari, Mirco Infanti, Laura Leuzzi, Sandra Lischi, Adam Lockhart, Stephen Partridge, Cosetta G. Saba, Emile Shemilt, Studio Azzurro, Valentina Valentini, Grahame Weinbren.
Foreword by Don Foresta; introduction by Stephen Partridge; the volume closes with The Chronology of Video Art in Italy (1952–1992), by Valentino Catricalà and Laura Leuzzi. Translation by Simona Manca.
Original language | English |
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Title of host publication | REWIND | Italia |
Subtitle of host publication | early video art in Italy: I primi anni della videoarte in Italia |
Editors | Laura Leuzzi, Stephen Partridge |
Place of Publication | New Barnet |
Publisher | John Libbey Publishing |
Pages | 291-300 |
Number of pages | 10 |
ISBN (Print) | 9780861967216 |
Publication status | Published - Jan 2016 |
Event | Simposio REWINDItalia: Videoart in Italy 1968-1982 - MACRO - Museo d’Arte Contemporanea, Rome, Italy Duration: 19 Apr 2012 → 20 Apr 2012 http://www.rewind.ac.uk/rewind/index.php/I-eventi |
Conference
Conference | Simposio REWINDItalia: Videoart in Italy 1968-1982 |
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Country | Italy |
City | Rome |
Period | 19/04/12 → 20/04/12 |
Internet address |
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Keywords
- Video art
Cite this
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Perceptions of a real event : tensions between the seen and the unseen in performance and its video distribution. / Shemilt, Emile.
REWIND | Italia: early video art in Italy: I primi anni della videoarte in Italia. ed. / Laura Leuzzi; Stephen Partridge. New Barnet : John Libbey Publishing, 2016. p. 291-300.Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)
TY - CHAP
T1 - Perceptions of a real event
T2 - tensions between the seen and the unseen in performance and its video distribution
AU - Shemilt, Emile
N1 - Dual language English and Italian
PY - 2016/1
Y1 - 2016/1
N2 - Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. This early experimentation attracted artists from all over the world and laid the foundation for video art. However since then, early Italian video art has received only scant international exposure. Its contribution to the history of video as an art form has for too long escaped the recognition that it so unequivocally deserves.Edited by Laura Leuzzi and Stephen Partridge, REWINDItalia Early Video Art in Italy aims to bring the Italian, seminal, early video experimentation back into the international spotlight and provide a a unique resource for research and study.The volume includes seminal essays, translated for the first time into English, plus newly commissioned texts by leading scholars and artists, and a wide selection of video stills and other images.Authors include: Renato Barilli, Maria Gloria Bicocchi, Lola Bonora, Silvia Bordini, Paolo Cardazzo, Cinzia Cremona, Sean Cubitt, Bruno Di Marino, Simonetta Fadda, Vittorio Fagone, Marco Maria Gazzano, Luciano Giaccari, Mirco Infanti, Laura Leuzzi, Sandra Lischi, Adam Lockhart, Stephen Partridge, Cosetta G. Saba, Emile Shemilt, Studio Azzurro, Valentina Valentini, Grahame Weinbren.Foreword by Don Foresta; introduction by Stephen Partridge; the volume closes with The Chronology of Video Art in Italy (1952–1992), by Valentino Catricalà and Laura Leuzzi. Translation by Simona Manca.
AB - Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. This early experimentation attracted artists from all over the world and laid the foundation for video art. However since then, early Italian video art has received only scant international exposure. Its contribution to the history of video as an art form has for too long escaped the recognition that it so unequivocally deserves.Edited by Laura Leuzzi and Stephen Partridge, REWINDItalia Early Video Art in Italy aims to bring the Italian, seminal, early video experimentation back into the international spotlight and provide a a unique resource for research and study.The volume includes seminal essays, translated for the first time into English, plus newly commissioned texts by leading scholars and artists, and a wide selection of video stills and other images.Authors include: Renato Barilli, Maria Gloria Bicocchi, Lola Bonora, Silvia Bordini, Paolo Cardazzo, Cinzia Cremona, Sean Cubitt, Bruno Di Marino, Simonetta Fadda, Vittorio Fagone, Marco Maria Gazzano, Luciano Giaccari, Mirco Infanti, Laura Leuzzi, Sandra Lischi, Adam Lockhart, Stephen Partridge, Cosetta G. Saba, Emile Shemilt, Studio Azzurro, Valentina Valentini, Grahame Weinbren.Foreword by Don Foresta; introduction by Stephen Partridge; the volume closes with The Chronology of Video Art in Italy (1952–1992), by Valentino Catricalà and Laura Leuzzi. Translation by Simona Manca.
KW - Video art
M3 - Chapter (peer-reviewed)
SN - 9780861967216
SP - 291
EP - 300
BT - REWIND | Italia
A2 - Leuzzi, Laura
A2 - Partridge, Stephen
PB - John Libbey Publishing
CY - New Barnet
ER -