Research Output per year
Abstract
Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. This early experimentation attracted artists from all over the world and laid the foundation for video art. However since then, early Italian video art has received only scant international exposure. Its contribution to the history of video as an art form has for too long escaped the recognition that it so unequivocally deserves.
Edited by Laura Leuzzi and Stephen Partridge, REWINDItalia Early Video Art in Italy aims to bring the Italian, seminal, early video experimentation back into the international spotlight and provide a a unique resource for research and study.
The volume includes seminal essays, translated for the first time into English, plus newly commissioned texts by leading scholars and artists, and a wide selection of video stills and other images.
Authors include: Renato Barilli, Maria Gloria Bicocchi, Lola Bonora, Silvia Bordini, Paolo Cardazzo, Cinzia Cremona, Sean Cubitt, Bruno Di Marino, Simonetta Fadda, Vittorio Fagone, Marco Maria Gazzano, Luciano Giaccari, Mirco Infanti, Laura Leuzzi, Sandra Lischi, Adam Lockhart, Stephen Partridge, Cosetta G. Saba, Emile Shemilt, Studio Azzurro, Valentina Valentini, Grahame Weinbren.
Foreword by Don Foresta; introduction by Stephen Partridge; the volume closes with The Chronology of Video Art in Italy (1952–1992), by Valentino Catricalà and Laura Leuzzi. Translation by Simona Manca.
Edited by Laura Leuzzi and Stephen Partridge, REWINDItalia Early Video Art in Italy aims to bring the Italian, seminal, early video experimentation back into the international spotlight and provide a a unique resource for research and study.
The volume includes seminal essays, translated for the first time into English, plus newly commissioned texts by leading scholars and artists, and a wide selection of video stills and other images.
Authors include: Renato Barilli, Maria Gloria Bicocchi, Lola Bonora, Silvia Bordini, Paolo Cardazzo, Cinzia Cremona, Sean Cubitt, Bruno Di Marino, Simonetta Fadda, Vittorio Fagone, Marco Maria Gazzano, Luciano Giaccari, Mirco Infanti, Laura Leuzzi, Sandra Lischi, Adam Lockhart, Stephen Partridge, Cosetta G. Saba, Emile Shemilt, Studio Azzurro, Valentina Valentini, Grahame Weinbren.
Foreword by Don Foresta; introduction by Stephen Partridge; the volume closes with The Chronology of Video Art in Italy (1952–1992), by Valentino Catricalà and Laura Leuzzi. Translation by Simona Manca.
| Original language | English |
|---|---|
| Title of host publication | REWIND | Italia |
| Subtitle of host publication | early video art in Italy: I primi anni della videoarte in Italia |
| Editors | Laura Leuzzi, Stephen Partridge |
| Place of Publication | New Barnet |
| Publisher | John Libbey Publishing |
| Pages | 291-300 |
| Number of pages | 10 |
| ISBN (Print) | 9780861967216 |
| Publication status | Published - Jan 2016 |
| Event | Simposio REWINDItalia: Videoart in Italy 1968-1982 - MACRO - Museo d’Arte Contemporanea, Rome, Italy Duration: 19 Apr 2012 → 20 Apr 2012 http://www.rewind.ac.uk/rewind/index.php/I-eventi |
Conference
| Conference | Simposio REWINDItalia: Videoart in Italy 1968-1982 |
|---|---|
| Country | Italy |
| City | Rome |
| Period | 19/04/12 → 20/04/12 |
| Internet address |
Keywords
- Video art
Fingerprint Dive into the research topics of 'Perceptions of a real event: tensions between the seen and the unseen in performance and its video distribution'. Together they form a unique fingerprint.
Research Output
REWIND | British Artists’ Video in the 1970s & 1980s. (Edited Book (pp 224 130,00 words) Chapters from Sean Cubitt, Grahame Weinbren, Yvonne Spielmann, Malcolm Dickson, Stephen Partridge, Adam Lockhart, Jackie Hatfield and Emile Shemilt, with foreword by Brian Winston)
Cubitt, S. (ed.) & Partridge, S. (ed.), 2012, New Barnet, Herts.: John Libbey Publishing. 224 p.Research output: Book/Report › Book
Open Access
File
RewindItalia Website
Research output: Non-textual form › Web publication/site
Student Theses
Material tensions: a practice-based study of the tension between the 'material' and the 'image' in digital moving image art
Author: Shemilt, E. J., 2010Supervisor: Notaro, A. (Supervisor) & Johnson, N. (Supervisor)
Student thesis: Doctoral Thesis › Doctor of Philosophy
File
Cite this
Shemilt, E. (2016). Perceptions of a real event: tensions between the seen and the unseen in performance and its video distribution. In L. Leuzzi, & S. Partridge (Eds.), REWIND | Italia: early video art in Italy: I primi anni della videoarte in Italia (pp. 291-300). John Libbey Publishing.