@inbook{b0fad986c62743419b02c8a233a912ed,
title = "Sculpture with a scots brogue: John Duncan Fergusson, c. 1916-24",
author = "Jonathon Blackwood",
note = "This critical essay was the culmination of six years research into Fergusson{\textquoteright}s little known sculptural output, placing it in the context of twentieth century practice in Paris, London and Edinburgh. The essay appeared as a chapter in a new volume critically examining sculptural production between 1880-c.1930. The eleven essays in this volume (co-contributors include Andrew Causey and Penelope Curtis) discuss a wide range of styles and approaches, examining the cultural, political, and artistic debates surrounding the place and function of sculpture. With new studies of high-profile monuments such as the Piccadilly Eros, as well as examinations of under-acknowledged sculptors, this volume presents a series of case studies essential to an understanding of why and how sculpture played a central role in the emergence of modern art in Britain. ",
year = "2001",
language = "English",
pages = "245--266",
editor = "Getsy, {David J.}",
booktitle = "Sculpture and the pursuit of a modern ideal in Britain c. 1880-1930",
publisher = "Ashgate",
}