Silent Explosion: The Making of An Exhibition

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

2019

The “extended life” of performance: Curating 1960s “event-structured” art in the contemporary museum
Bodor, J., 24 Jul 2019, The explicit material: Inquiries on the intersection of academic, curatorial and conservation cultures. Holling, H. B., Bewer, F. G. & Ammann, K. (eds.). 1 ed. Leiden/Boston: Brill Academic Publishers, Vol. 1. p. 117-141 25 p. (Studies in art & materiality; vol. 1).
Research output: Chapter in Book/Report/Conference proceeding › Chapter
2017
Exhibiting the Ivor Davies Destriction in Art Archive: an exploration of curating historical performance art in the Museum
Bodor, J., Roms, H. (Supervisor) & Yallop, J. (Supervisor), 2017, 314 p. Aberystwyth University.
Research output: Other contribution
2016

Exhibition Matters: Curatorial Challenges in Re-producing Ivor Davies’ Adam on St Agnes’ Eve
Bodor, J., 25 May 2016.
Research output: Contribution to conference › Other
Silent Explosion: Ivor Davies and Destruction in Art
Bodor, J. (Curator), Jan 2016
Research output: Non-textual form › Exhibition
2015
The Ivor Davies Destruction in Art (DiA) Archive
Bodor, J., 2015, Silent explosion: Ivor Davies and destruction in art. Roms, H. (ed.). London: Occasional Papers
Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

Research output