Sound’s Matter: ‘Deleuzian Sound Studies’ and the Problems of Sonic Materialism

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Abstract

This article evaluates the theoretical and practical grounds of recent debates around Christoph Cox’s realist project of a ‘sonic materialism’ by returning to Gilles Deleuze, a key theoretical resource for Cox. It argues that a close engagement with Deleuze’s work, in fact, challenges many of the precepts of Cox’s sonic materialism, and suggests a rethinking of materialism in the context of music. Turning to some aspects of Deleuze’s work neglected by Cox, the ‘realist’ ontological inquiry Cox affirms is challenged through the ‘onto-ethology’ that Deleuze and Félix Guattari develop in their A Thousand Plateaus, with this diversely constructive theory of relations explicated through musical examples from John Cage and Pauline Oliveros. To conclude, this article suggests that Deleuze can indeed be understood as subscribing to a materialism, but a materialism that is practical rather than doctrinal.

Original languageEnglish
Pages (from-to)618-637
Number of pages20
JournalContemporary Music Review
Volume39
Issue number5
DOIs
Publication statusPublished - 2 Sep 2020

Keywords

  • Christoph Cox
  • Félix Guattari
  • Gilles Deleuze
  • John Cage
  • Pauline Oliveros
  • Politics of Sound and Music
  • Realism
  • Sonic Materialism

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