Statement of Practice: Curating and creating design collections, from Social Mobiles to the Museum of Lost Interactions and Six Speaking Chairs

TY - JOUR

T1 - Statement of Practice

T2 - Curating and creating design collections, from Social Mobiles to the Museum of Lost Interactions and Six Speaking Chairs

AU - Pullin, Graham

PY - 2010/11

Y1 - 2010/11

N2 - The word collection alludes to seasonal haute couture collections and also to museum collections, respectively created and curated. But here, the term design collection includes a number of objects created independently by several designers (unlike fashion collections), but nonetheless conceived as an entity at the time of creation (unlike museum collections). Several design collections are introduced within which the author was involved, in the context of collections by Hussein Chalayan, Dunne & Raby, the Royal National Institute for Deaf People, and the Museum of Jurassic Technology. The differing purposes of these design collections are identified, as are the various roles played by the author – and the balance between creation and curation. Collections can illuminate themes and imply a landscape of alternatives that transcend any individual piece. Design collections can thereby play a valuable role across design practice, education, and research.

AB - The word collection alludes to seasonal haute couture collections and also to museum collections, respectively created and curated. But here, the term design collection includes a number of objects created independently by several designers (unlike fashion collections), but nonetheless conceived as an entity at the time of creation (unlike museum collections). Several design collections are introduced within which the author was involved, in the context of collections by Hussein Chalayan, Dunne & Raby, the Royal National Institute for Deaf People, and the Museum of Jurassic Technology. The differing purposes of these design collections are identified, as are the various roles played by the author – and the balance between creation and curation. Collections can illuminate themes and imply a landscape of alternatives that transcend any individual piece. Design collections can thereby play a valuable role across design practice, education, and research.

U2 - 10.2752/175470710X12789399279877

DO - 10.2752/175470710X12789399279877

M3 - Article

SN - 1754-7083

VL - 2

SP - 309

EP - 328

JO - Design and Culture

JF - Design and Culture

IS - 3

ER -