The “extended life” of performance: Curating 1960s “event-structured” art in the contemporary museum

Judit Bodor

doi:10.1163/9789004396852

The “extended life” of performance: Curating 1960s “event-structured” art in the contemporary museum

Judit Bodor

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Original language	English
Title of host publication	The explicit material
Subtitle of host publication	Inquiries on the intersection of academic, curatorial and conservation cultures
Editors	Hanna B. Holling, Francesca G. Bewer, Katharina Ammann
Place of Publication	Leiden/Boston
Publisher	Brill Academic Publishers
Chapter	4
Pages	117-141
Number of pages	25
Volume	1
Edition	1
ISBN (Electronic)	978900439685-2
ISBN (Print)	9789004372818
DOIs	https://doi.org/10.1163/9789004396852
Publication status	Published - 24 Jul 2019

Publication series

Name	Studies in art & materiality
Publisher	Brill
Volume	1
ISSN (Print)	2468-2977

Keywords

curating
conservation
performance art
materiality

ASJC Scopus subject areas

General Arts and Humanities

Access to Document

10.1163/9789004396852

1 Other chapter contribution
1 Chapter (peer-reviewed)
1 Article
1 Exhibition

Curation, conservation, and the artist in Silent Explosion: Ivor Davies and Destruction in Art
O'reilly, E., Miller, R. & Bodor, J., 2016, In: Studies in Conservation. 61, sup2, p. 167-173 7 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File
2 Citations (Scopus)

190 Downloads (Pure)
Silent Explosion: Ivor Davies and Destruction in Art
Bodor, J. (Curator), Jan 2016
Research output: Non-textual form › Exhibition
Silent Explosion: The Making of An Exhibition
Bodor, J., 2015, Silent Explosion: Ivor Davies and Destruction in Art. Roms, H. (ed.). London: Occasional Papers, p. 124-146 23 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

1 Invited talk

The extended life of performance: c1960s ‘event-structured’ art in the contemporary museum
Bodor, J. (Invited speaker)
17 Mar 2017
Activity: Talk or presentation types › Invited talk

Cite this

Bodor, J. (2019). The “extended life” of performance: Curating 1960s “event-structured” art in the contemporary museum. In H. B. Holling, F. G. Bewer, & K. Ammann (Eds.), The explicit material: Inquiries on the intersection of academic, curatorial and conservation cultures (1 ed., Vol. 1, pp. 117-141). (Studies in art & materiality; Vol. 1). Brill Academic Publishers. https://doi.org/10.1163/9789004396852

Bodor, Judit. / The “extended life” of performance : Curating 1960s “event-structured” art in the contemporary museum. The explicit material: Inquiries on the intersection of academic, curatorial and conservation cultures. editor / Hanna B. Holling ; Francesca G. Bewer ; Katharina Ammann. Vol. 1 1. ed. Leiden/Boston : Brill Academic Publishers, 2019. pp. 117-141 (Studies in art & materiality).

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keywords = "curating, conservation, performance art, materiality",

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Bodor, J 2019, The “extended life” of performance: Curating 1960s “event-structured” art in the contemporary museum. in HB Holling, FG Bewer & K Ammann (eds), The explicit material: Inquiries on the intersection of academic, curatorial and conservation cultures. 1 edn, vol. 1, Studies in art & materiality, vol. 1, Brill Academic Publishers, Leiden/Boston, pp. 117-141. https://doi.org/10.1163/9789004396852

The “extended life” of performance: Curating 1960s “event-structured” art in the contemporary museum. / Bodor, Judit.
The explicit material: Inquiries on the intersection of academic, curatorial and conservation cultures. ed. / Hanna B. Holling; Francesca G. Bewer; Katharina Ammann. Vol. 1 1. ed. Leiden/Boston: Brill Academic Publishers, 2019. p. 117-141 (Studies in art & materiality; Vol. 1).

Research output: Chapter in Book/Report/Conference proceeding › Chapter

TY - CHAP

T1 - The “extended life” of performance

T2 - Curating 1960s “event-structured” art in the contemporary museum

AU - Bodor, Judit

PY - 2019/7/24

Y1 - 2019/7/24

KW - curating

KW - conservation

KW - performance art

KW - materiality

U2 - 10.1163/9789004396852

DO - 10.1163/9789004396852

M3 - Chapter

SN - 9789004372818

VL - 1

T3 - Studies in art & materiality

SP - 117

EP - 141

BT - The explicit material

A2 - Holling, Hanna B.

A2 - Bewer, Francesca G.

A2 - Ammann, Katharina

PB - Brill Academic Publishers

CY - Leiden/Boston

ER -

Bodor J. The “extended life” of performance: Curating 1960s “event-structured” art in the contemporary museum. In Holling HB, Bewer FG, Ammann K, editors, The explicit material: Inquiries on the intersection of academic, curatorial and conservation cultures. 1 ed. Vol. 1. Leiden/Boston: Brill Academic Publishers. 2019. p. 117-141. (Studies in art & materiality). doi: 10.1163/9789004396852

The “extended life” of performance: Curating 1960s “event-structured” art in the contemporary museum

Publication series

Keywords

ASJC Scopus subject areas

Access to Document

Research output

Curation, conservation, and the artist in Silent Explosion: Ivor Davies and Destruction in Art

Silent Explosion: Ivor Davies and Destruction in Art

Silent Explosion: The Making of An Exhibition

Activities

The extended life of performance: c1960s ‘event-structured’ art in the contemporary museum

Cite this