@inbook{a0116913862e454ab08d18195bdc3604,
title = "The Given and the Made: Thinking Transversal Plasticity with Duchamp, Brecht, and Troika{\textquoteright}s Artistic Technologies",
abstract = "The work of Marcel Duchamp, George Brecht, and Troika is in direct dialogue with science as a socio-cultural nexus, not in a straightforwardly collaborative way but in a manner that distils an artistic technology from a transposition of the existing social-scientific technologies. This chapter argues that Duchamp{\textquoteright}s erotic accidentals in n+ dimensions, Brecht{\textquoteright}s event scores (four-dimensional performative ready-mades), and Troika{\textquoteright}s dice-based cellular automata challenge three socio-scientific dogmas that order the world. These are: 1) space is inert and three dimensional and time is {\textquoteleft}added{\textquoteright} as the fourth dimension; 2) language is static and atemporal; and 3) evolution is temporally linear {\textendash} phenomena develop from simple to complex. Duchamp, Brecht, and Troika{\textquoteright}s artistic technologies, by contrast, articulate transversal plasticity while also revealing the underlying indeterminacy of space-time, as a phenomenon and concept. ",
author = "Natasha Lushetich",
year = "2022",
month = dec,
language = "English",
isbn = "9781538171578",
series = "Media Philosophy ",
publisher = "Rowman \& Littlefield",
pages = "143{\textendash}161",
editor = "Natasha Lushetich and Iain Campbell and Dominic Smith",
booktitle = "Contingency and Plasticity in Everyday Technologies",
address = "United Kingdom",
}