The Performativity of Painting: Exhibition Catalogue

Alex Roberts; Ken Wilder

The Performativity of Painting: Exhibition Catalogue

Alex Roberts (Curator), Ken Wilder (Contributing member)

Research output: Non-textual form › Exhibition catalogue

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Abstract

The Performativity of Painting, a choreographed meeting. 'Painting – the performance of structures, fragments and use of space within the perceived painted frame, and the relating inherent surround'. Curator: Alex Roberts The Stephen Lawrence Gallery, University of Greenwich Galleries, 16 January - 16 February 2018, exhibition catalogue.

Dr. Ken Wilder is an artist and writer. With teaching responsibilities at both Chelsea and Camberwell Colleges of Art, he is the UAL Reader in Spatial Design. He has published widely on issues of reception aesthetics, including Bloomsbury’s 2016 anthology Painting: Critical and Primary Sources. Plus, the monograph Beholding: Situated Art and the Aesthetics of Reception, published by Bloomsbury in May 2020.

ISBN 9780956969859

Original language	English
Place of Publication	University of Greenwich Galleries
Publisher	The Stephen Lawrence Gallery
Media of output	Other
Publication status	Published - Dec 2017

Keywords

painting
performativity
contemporary painting
site relational
installation
relational aesthetics

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Exhibition Catalogue

Cite this

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title = "The Performativity of Painting: Exhibition Catalogue",

abstract = "The Performativity of Painting, a choreographed meeting. 'Painting – the performance of structures, fragments and use of space within the perceived painted frame, and the relating inherent surround'. Curator: Alex Roberts The Stephen Lawrence Gallery, University of Greenwich Galleries, 16 January - 16 February 2018, exhibition catalogue.Dr. Ken Wilder is an artist and writer. With teaching responsibilities at both Chelsea and Camberwell Colleges of Art, he is the UAL Reader in Spatial Design. He has published widely on issues of reception aesthetics, including Bloomsbury{\textquoteright}s 2016 anthology Painting: Critical and Primary Sources. Plus, the monograph Beholding: Situated Art and the Aesthetics of Reception, published by Bloomsbury in May 2020.ISBN 9780956969859",

keywords = "painting, performativity, contemporary painting, site relational, installation, relational aesthetics",

author = "Alex Roberts and Ken Wilder",

year = "2017",

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AB - The Performativity of Painting, a choreographed meeting. 'Painting – the performance of structures, fragments and use of space within the perceived painted frame, and the relating inherent surround'. Curator: Alex Roberts The Stephen Lawrence Gallery, University of Greenwich Galleries, 16 January - 16 February 2018, exhibition catalogue.Dr. Ken Wilder is an artist and writer. With teaching responsibilities at both Chelsea and Camberwell Colleges of Art, he is the UAL Reader in Spatial Design. He has published widely on issues of reception aesthetics, including Bloomsbury’s 2016 anthology Painting: Critical and Primary Sources. Plus, the monograph Beholding: Situated Art and the Aesthetics of Reception, published by Bloomsbury in May 2020.ISBN 9780956969859

KW - painting

KW - performativity

KW - contemporary painting

KW - site relational

KW - installation

KW - relational aesthetics

UR - https://dora.dmu.ac.uk/handle/2086/18810

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M3 - Exhibition catalogue

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ER -

The Performativity of Painting: Exhibition Catalogue

Abstract

Keywords

Access to Document

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The Performativity of Painting: Exhibition, The Stephen Lawrence Gallery, University of Greenwich

The Performativity of Painting: Artists’ Talk

Cite this

The Performativity of Painting: Exhibition Catalogue

Abstract

Keywords

Access to Document

Other files and links

Fingerprint

Research output

The Performativity of Painting: Exhibition, The Stephen Lawrence Gallery, University of Greenwich

Activities

The Performativity of Painting: Artists’ Talk

Cite this