The Sense of Early Modern Writing

Rhetoric, Poetics, Aesthetics

    Research output: Book/ReportBook

    Abstract

    In The sense of Early Modern writing, Mark Robson pursues the relation between the concept of the 'early modern' and modernity, tracing the complex interactions of post-Romantic, philosophical aesthetics and early modern rhetoric and poetics. The book therefore questions the status of what we now think of as literary texts in a period prior to the emergence of literature as a category. In this way, Robson argues for an attention to the classical notion of aisthesis, that is, for the crucial dimension of perception and response in reading and thinking -- and its rhetorical determination -- to be taken into account. Robson's theoretically-informed approach, drawing in particular on the work of Jacques Derrida and Paul de Man, fundamentally challenges the idea that critical theory is of little relevance in the reading of early modern texts. The sense of Early Modern writing includes readings of both familiar and unfamiliar texts by Shakespeare, Sidney, Jonson, Hester Pulter and others, and considers topics such as ears, eyes, tongues, hands and voices, in order to ask: How should we read early modern texts? The book will therefore be of interest to all students and researchers in early modern or Renaissance studies, as well as to those thinking through the theories and histories of literature, aesthetics and rhetoric.
    Original languageEnglish
    Place of PublicationManchester
    PublisherManchester University Press
    Number of pages222
    ISBN (Print)9780719069468
    Publication statusPublished - 2006

    Fingerprint

    Aesthetics
    Poetics
    Rhetoric
    Jacques Derrida
    Early Modernity
    History of Literature
    Ear
    William Shakespeare
    Interaction
    Paul De Man
    Literary Text
    Theory of Literature
    Critical Theory
    Tongue

    Cite this

    Robson, M. (2006). The Sense of Early Modern Writing: Rhetoric, Poetics, Aesthetics. Manchester: Manchester University Press.
    Robson, Mark. / The Sense of Early Modern Writing : Rhetoric, Poetics, Aesthetics. Manchester : Manchester University Press, 2006. 222 p.
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    Robson, M 2006, The Sense of Early Modern Writing: Rhetoric, Poetics, Aesthetics. Manchester University Press, Manchester.

    The Sense of Early Modern Writing : Rhetoric, Poetics, Aesthetics. / Robson, Mark.

    Manchester : Manchester University Press, 2006. 222 p.

    Research output: Book/ReportBook

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    AB - In The sense of Early Modern writing, Mark Robson pursues the relation between the concept of the 'early modern' and modernity, tracing the complex interactions of post-Romantic, philosophical aesthetics and early modern rhetoric and poetics. The book therefore questions the status of what we now think of as literary texts in a period prior to the emergence of literature as a category. In this way, Robson argues for an attention to the classical notion of aisthesis, that is, for the crucial dimension of perception and response in reading and thinking -- and its rhetorical determination -- to be taken into account. Robson's theoretically-informed approach, drawing in particular on the work of Jacques Derrida and Paul de Man, fundamentally challenges the idea that critical theory is of little relevance in the reading of early modern texts. The sense of Early Modern writing includes readings of both familiar and unfamiliar texts by Shakespeare, Sidney, Jonson, Hester Pulter and others, and considers topics such as ears, eyes, tongues, hands and voices, in order to ask: How should we read early modern texts? The book will therefore be of interest to all students and researchers in early modern or Renaissance studies, as well as to those thinking through the theories and histories of literature, aesthetics and rhetoric.

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    Robson M. The Sense of Early Modern Writing: Rhetoric, Poetics, Aesthetics. Manchester: Manchester University Press, 2006. 222 p.