Abstract
The Slave’s Lament was Scottish poet Robert Burns’s (1759-1796) only work to empathise with the appalling hurt of the displaced, the trafficked and the enslaved. A lyric published in 1792, it is a narrative that remains contemporary as we think of current tragedies unfolding on borders and in hinterland locations. With a moving score written by Sally Beamish, performed by the Scottish Ensemble and reggae singer Ghetto Priest, and produced by On-U-Sound founder Adrian Sherwood, Graham Fagen creates a fascinating sound clash, where Burns's poetry finds a haunting bedfellow in Jamaican reggae music – and finds much common ground.
Materials:
Four-channel colour video installation, with sound, 14 min. 27 sec
Object type:Installation
Credit line:Gifted by Outset UK 2020
Gallery:
Scottish National Gallery Of Modern Art
Materials:
Four-channel colour video installation, with sound, 14 min. 27 sec
Object type:Installation
Credit line:Gifted by Outset UK 2020
Gallery:
Scottish National Gallery Of Modern Art
| Original language | English |
|---|---|
| Place of Publication | Edinburgh, UK |
| Publisher | Scottish National Gallery Of Modern Art |
| Media of output | Other |
| Publication status | Published - 2021 |
Fingerprint
Dive into the research topics of 'The Slave’s Lament: Scottish National Gallery Of Modern Art, Edinburgh'. Together they form a unique fingerprint.Research output
- 1 Multi-Component Output (MCO)
-
The Slave's Lament
Fagen, G. (Artist), 2019, University of Dundee.Research output: Other contribution › Multi-Component Output (MCO) › peer-review
Activities
- 1 Public engagement and outreach - festival/exhibition
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Acquisition of "The Slave's Lament" by the National Galleries of Scotland
Fagen, G. (Contributor)
27 Nov 2021Activity: Other activity types › Public engagement and outreach - festival/exhibition
Press/Media
-
Art review: New Arrivals, Scottish National Gallery of Modern Art
7/12/21
1 item of Media coverage
Press/Media: Research
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