The Visual and the Self in Contemporary Poetry

    Research output: Contribution to journalArticle

    Abstract

    The dominance of the visual is often seen as a new and defining feature of contemporary culture. Yet it is Romantic poetry which most powerfully associates the act of seeing with understanding, self-shaping and the visionary. This article draws on the ideas of the Idealist philosopher J.G. Fichte and the German Romantic writers Novalis and F.W. Schlegel, as well as some of Walter Benjamin's reading of their work, to explore the ways in which contemporary poetry engages with this Romantic legacy. Making connections with the metaphors of reflection and refraction used by Wordsworth and Coleridge, the article interprets examples of 21st-century post-Romantic text poetry (which revisits Romantic models with an ecological inflection), and digital poetry (which uses technology to reconfigure the relationship between text, self and the visual). More specifically, it proposes a set of relations between visual perception of the natural world, reflective thought and awareness of self in the work of three contemporary poets: Thomas A.Clark (born Greenock, Scotland, 1944), John Burnside (born Dunfermline, Scotland, 1955) and John Cayley (born Ottawa, Canada).
    Original languageEnglish
    JournalRomanticism and Victorianism on the Net
    Issue number51
    Publication statusPublished - Aug 2008

    Fingerprint

    Contemporary Poetry
    Poetry
    Scotland
    Canada
    Reflective
    William Wordsworth
    Ottawa
    Poet
    Natural World
    Writer
    Walter Benjamin
    Philosopher
    Inflection
    German Romantics
    Romantic Poetry
    21st Century
    Dunfermline
    Johann Gottlieb Fichte
    Thought
    Visual Perception

    Cite this

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    abstract = "The dominance of the visual is often seen as a new and defining feature of contemporary culture. Yet it is Romantic poetry which most powerfully associates the act of seeing with understanding, self-shaping and the visionary. This article draws on the ideas of the Idealist philosopher J.G. Fichte and the German Romantic writers Novalis and F.W. Schlegel, as well as some of Walter Benjamin's reading of their work, to explore the ways in which contemporary poetry engages with this Romantic legacy. Making connections with the metaphors of reflection and refraction used by Wordsworth and Coleridge, the article interprets examples of 21st-century post-Romantic text poetry (which revisits Romantic models with an ecological inflection), and digital poetry (which uses technology to reconfigure the relationship between text, self and the visual). More specifically, it proposes a set of relations between visual perception of the natural world, reflective thought and awareness of self in the work of three contemporary poets: Thomas A.Clark (born Greenock, Scotland, 1944), John Burnside (born Dunfermline, Scotland, 1955) and John Cayley (born Ottawa, Canada).",
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    The Visual and the Self in Contemporary Poetry. / Roberts, Andrew Michael.

    In: Romanticism and Victorianism on the Net, No. 51, 08.2008.

    Research output: Contribution to journalArticle

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