The Water Hen / Kurka Wodna: Kantor, Demarco and the Edinburgh Festival with a legacy of Kantor in Scotland

Arthur Watson; Euan McArthur

The Water Hen / Kurka Wodna: Kantor, Demarco and the Edinburgh Festival with a legacy of Kantor in Scotland

Arthur Watson (Lead / Corresponding author), Euan McArthur (Contributing member)

Contemporary Art Practice

Research output: Other contribution

Abstract

Watson visited the Kantor Archive (Cricoteka, Krakow) with Colin Greenslade to outline the exhibition project and secure support for transcription and translation of the video, along with input to the publication and premiere of the restored video. A further two visits by Watson were also funded by the Adam Mickeiwicz Institute (Warsaw). Watson led negotiations with John Leighton and Simon Groom (NGS) and Richard Demarco. With Greenslade he selected six artists who presented new performances. He led the design and production of the publication and the interpretive panels for the exhibition with input into texts and annotations, led by McArthur.

Original language	English
Type	Film restoration, exhibition, new commission and book
Publisher	Royal Scottish Academy
Place of Publication	The Royal Scottish Academy of Art & Architecture
Publication status	Published - Jul 2015

Access to Document

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Research Output

1 Digital or Visual Products

About THE WATER HEN: Kantor, Demarco & The Edinburgh Festival Exhibition

Watson, A., 2015

Research output: Non-textual form › Digital or Visual Products

Profiles

Watson, Arthur

Contemporary Art Practice - Programme Director

Person: Academic

Cite this

Watson, A., & McArthur, E. (2015, Jul). The Water Hen / Kurka Wodna: Kantor, Demarco and the Edinburgh Festival with a legacy of Kantor in Scotland. The Royal Scottish Academy of Art & Architecture: Royal Scottish Academy.

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AB - Watson visited the Kantor Archive (Cricoteka, Krakow) with Colin Greenslade to outline the exhibition project and secure support for transcription and translation of the video, along with input to the publication and premiere of the restored video. A further two visits by Watson were also funded by the Adam Mickeiwicz Institute (Warsaw). Watson led negotiations with John Leighton and Simon Groom (NGS) and Richard Demarco. With Greenslade he selected six artists who presented new performances. He led the design and production of the publication and the interpretive panels for the exhibition with input into texts and annotations, led by McArthur.

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