Abstract
This photo essay summarises some investigations into the imagery and architectures of British nuclear research, in particular the fast reactor programme. I am interested in the interaction of the ‘nuclear imaginary’ and the actual sites in which the experimentation took place. I consider the ‘nuclear imaginary’ as a constellation of anxieties, optimisms, technocratic and patriotic emotions and motivations, which leaves traces in factual material, the cinema and fiction of the time, and in propaganda and public discourse. I explore the uses and potentials of visual epistemologies in the understanding of restricted sites, and the use of simultaneity in interrogating archive material.
| Original language | English |
|---|---|
| Pages (from-to) | 247-264 |
| Number of pages | 18 |
| Journal | Journal of Contemporary Archaeology |
| Volume | 1 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 3 Feb 2015 |
Keywords
- Art
- Art and society
- Archaeology
- Methodologies
- Videoart
- Photography, Installation, Sculpture, Painting.
- Art & science
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The film archive as boundary object
Dunlop, G., 2023, Scottish Society for Art History Journal: special issue on art and science. Scottish Society for Art History, 12 p.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
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Activities
- 1 Public engagement and outreach - festival/exhibition
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Yellowcake exhibited as part of the RSA annual show
Dunlop, G. (Participant)
1 Apr 2017 → 7 May 2017Activity: Other activity types › Public engagement and outreach - festival/exhibition
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