We Suffer To Remain

Graham Fagen

We Suffer To Remain

Contemporary Art Practice

Research output: Non-textual form › Exhibition catalogue

Abstract

Publication to accompany the exhibition We Suffer to Remain.

A collaborative exhibition with the British Council, "We Suffer To Remain" is an exploration into just what voices get to speak to the trauma of slavery. Featuring the work of Bahamian artists John Beadle, Sonia Farmer, and Anina Major alongside Scottish artist Graham Fagen, the exhibition gives us the British colonial "amnesia" around the history of slavery, with responses from those living the reality of its aftermath. Curated by NAGB Chief Curator Holly Bynoe.

Title: We Suffer To Remain
Authors: Amanda Coulson (foreword), Dr Ian Bethell-Bennett, Eddie Chambers, Holly Bynoe
Publisher: National Art Gallery of The Bahamas, 2018
Length: 43 pages
ISBN: 978-976-8221-19-3

Original language	English
Place of Publication	Nassau, The Bahamas
Publisher	National Art Gallery of The Bahamas
Publication status	Published - 17 Sept 2018

Cite this

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AB - Publication to accompany the exhibition We Suffer to Remain. A collaborative exhibition with the British Council, "We Suffer To Remain" is an exploration into just what voices get to speak to the trauma of slavery. Featuring the work of Bahamian artists John Beadle, Sonia Farmer, and Anina Major alongside Scottish artist Graham Fagen, the exhibition gives us the British colonial "amnesia" around the history of slavery, with responses from those living the reality of its aftermath. Curated by NAGB Chief Curator Holly Bynoe.Title: We Suffer To RemainAuthors: Amanda Coulson (foreword), Dr Ian Bethell-Bennett, Eddie Chambers, Holly Bynoe Publisher: National Art Gallery of The Bahamas, 2018Length: 43 pagesISBN: 978-976-8221-19-3

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M3 - Exhibition catalogue

PB - National Art Gallery of The Bahamas

CY - Nassau, The Bahamas

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We Suffer To Remain

Abstract

Other files and links

Fingerprint

The Slave's Lament

We Suffer To Remain: National Art Gallery of The Bahamas (NAGB)

Cite this