'Why should our bodies end with our skin?': Intergenerational longings, dislocations and waiting in BXBY (Exhibition Catalogue Essay)

Undine Sellbach

'Why should our bodies end with our skin?': Intergenerational longings, dislocations and waiting in BXBY (Exhibition Catalogue Essay)

Research output: Non-textual form › Exhibition catalogue

Abstract

‘Spotted hand-fins, sprouting hair, the tow of the sea floor. Then air, wind. Limbs shaking, eyes caked in sand. A selkie is swept to a strange isle. Leaving her underwater people behind, she follows Cù-Sìth, the sea dog, fluffy fur, pointed ear, scampering across rocks, in search of land and a way to mate. The island is a vivarium, an artificial home for life. Here at the brink of the given world, old questions press afresh: What is reproduction, and where is it to be found?’

Undine Sellbach is a philosopher, artist and Senior Lecturer at the University of Dundee. In this essay they respond to BXBY, by Jerwood/FVU Awards 2022 artist Soojin Chang.

Original language	English
Place of Publication	London
Publisher	Jerwood Arts
Media of output	Other
Publication status	Published - May 2022

Cite this

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N2 - ‘Spotted hand-fins, sprouting hair, the tow of the sea floor. Then air, wind. Limbs shaking, eyes caked in sand. A selkie is swept to a strange isle. Leaving her underwater people behind, she follows Cù-Sìth, the sea dog, fluffy fur, pointed ear, scampering across rocks, in search of land and a way to mate. The island is a vivarium, an artificial home for life. Here at the brink of the given world, old questions press afresh: What is reproduction, and where is it to be found?’Undine Sellbach is a philosopher, artist and Senior Lecturer at the University of Dundee. In this essay they respond to BXBY, by Jerwood/FVU Awards 2022 artist Soojin Chang.

AB - ‘Spotted hand-fins, sprouting hair, the tow of the sea floor. Then air, wind. Limbs shaking, eyes caked in sand. A selkie is swept to a strange isle. Leaving her underwater people behind, she follows Cù-Sìth, the sea dog, fluffy fur, pointed ear, scampering across rocks, in search of land and a way to mate. The island is a vivarium, an artificial home for life. Here at the brink of the given world, old questions press afresh: What is reproduction, and where is it to be found?’Undine Sellbach is a philosopher, artist and Senior Lecturer at the University of Dundee. In this essay they respond to BXBY, by Jerwood/FVU Awards 2022 artist Soojin Chang.

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M3 - Exhibition catalogue

PB - Jerwood Arts

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ER -

'Why should our bodies end with our skin?': Intergenerational longings, dislocations and waiting in BXBY (Exhibition Catalogue Essay)

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