Abstract
‘Spotted hand-fins, sprouting hair, the tow of the sea floor. Then air, wind. Limbs shaking, eyes caked in sand. A selkie is swept to a strange isle. Leaving her underwater people behind, she follows Cù-Sìth, the sea dog, fluffy fur, pointed ear, scampering across rocks, in search of land and a way to mate. The island is a vivarium, an artificial home for life. Here at the brink of the given world, old questions press afresh: What is reproduction, and where is it to be found?’
Undine Sellbach is a philosopher, artist and Senior Lecturer at the University of Dundee. In this essay they respond to BXBY, by Jerwood/FVU Awards 2022 artist Soojin Chang.
Undine Sellbach is a philosopher, artist and Senior Lecturer at the University of Dundee. In this essay they respond to BXBY, by Jerwood/FVU Awards 2022 artist Soojin Chang.
| Original language | English |
|---|---|
| Place of Publication | London |
| Publisher | Jerwood Arts |
| Media of output | Other |
| Publication status | Published - May 2022 |
Fingerprint
Dive into the research topics of ''Why should our bodies end with our skin?': Intergenerational longings, dislocations and waiting in BXBY (Exhibition Catalogue Essay)'. Together they form a unique fingerprint.Research output
- 1 Chapter (peer-reviewed)
-
'Why should our bodies end with our skin?': intergenerational longings, dislocations and waiting in BXBY
Sellbach, U. & Chang, S. (Contributing member), 2024, Interspecies Performance. Cull Ó Maoilearca, L. & Fitzgerald -Allsopp, F. (eds.). Ceredigion: Performance Research BooksResearch output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver